Check out these stark and sinister Christmas cards for North Carolina creative agency and long-time Parklife collaborators, Adena Studios.
We printed these with Black and Fuchsia ink on our 300g Fluorescent White cotton paper.
These might be my favorite client-designed invitations this year. The bride, Nisha, designed three different invites for her various California wedding festivities.
All three have a common feel — employing the same border art, black ink, and copperplate type. But Nisha used different title art for each and we printed them with three different fluorescent letterpress inks — neon orange, deep magenta, a bright pink. We finished each set with three different edge paints — electric blue, highlighter yellow, and metallic silver.
Finally, we used the neon orange ink to print the flap of the fluorescent white envelope.
And what the hell, how about a few more photos...
The cannabis cultivators at Fractal Farms have a great logo. And now they can show it off on slick new letterpress business cards. We printed these with our midnight ink on 400g chipboard.
For fellow Portlanders Nathan and Liene, we created a customized variation on our Petal invitation. We kept the round corners and multi-tone orchid art, but changed the fonts, orientation, and inks.
After the overwhelming success of Elisa's invitation set last spring, she's back with party invitations for her parents' anniversary.
Washington wine-makers and friends of Parklife, Force Majeure, have some new cards. This time we went thicker, bolder, and more tightly-registered (check out the precisely-placed scarlet ink inside the gray knockout). These are printed on our Ecru 600g Lettra paper.
This is one of our favorite client-designed wedding sets of the summer. Elaine and Joseph's invites mimic the lush forest that surrounded their venue in the Santa Cruz Mountains, complete with ferns, pinecones, and slugs.
We mixed a custom dilution of our Light Celadon ink to let the deep impression of the artwork really stand out.
