Letterpress Cards for Ashley Grant Interiors

Designed by Kristin Allen for Ashley Grant Interiors, these thick two-sided cards are printed on separate 300g sheets, then duplexed after printing so that the impressions on the front and back don’t affect each other. Printing front and back on a 600g sheet is always an option too, but if you want 100% crisp and clean impressions, a duplexed card is the way to go.

PAPER 600g Lettra Fluorescent White duplexed from 300g sheets
INK Pantone 400U, 402U, 7562U
EDGE PAINT Antique Gold

Photos by Gritchelle

business cardsTravis FriedrichApril 16, 2020business cards, fluorescent white, edge paint, 600g, duplex, gold, gray, logoComment

Blind Madhouse | Duplexed Business Cards

Custom duplexed business cards for Austin’s Madhouse Development Services. On the back, in order to get extra bite into the fairly dense Keaykolour stock, we used a heated copper die rather than the usual polymer plate.

FRONT Pantone 485U and 426U on 300g Lettra Fluorescent White
BACK Blind impression on 300g Keaykolour Chili Pepper

Blind letterpress on Keaykolour Chili Pepper

Photos by Gritchelle

business cardsTravis FriedrichJanuary 9, 2020business cards, duplex, blind, red, gray, Keaykolour, fire truckComment

Rose Gold In Rhode Island

The simplicity of this beautifully modern bride-designed invitation set is deceiving! The production of this 5-piece suite required letterpress ink, foil stamping, inkjet printing, and duplexing.

The invitation features a mix of serif and san-serif letterpress text along with a small floral motif that we added in an inkjet run.

The reply postcard is a bit trickier, created from two 300g sheets, one letterpress printed and one inkjet printed and then foiled over the top. Then we duplexed and trimmed to create a single thick 600g card.

On to the agenda card! This one's printed with letterpress ink on the front and inkjet on the back of a single 300g sheet.

Finally, the reception card, travel insert, and envelope were more straightforward. Simple gray letterpress ink on 300g paper and a 120g cotton envelope.

wedding invitationsTravis FriedrichFebruary 8, 2018inkjet, foil, rose gold, gray, fluorescent white, envelope flap, map, 600g, 300g, duplex, client designedComment

Business Cards for Liz Stewart Photography

PAPER 300G, 600g Fluorescent White
INK Pantone 2035U (Red) & Pantone Black 7U (Dark Gray)
EDGE PAINT Pantone 2035U (Red)

Letterpress Business Card With Red Edges

business cardsTravis FriedrichJuly 20, 2017edge painting, 600g, fluorescent white, red, black, gray, note cards, stationery, custom ink, logoComment

Washington Wine Reboot

Washington wine-makers and friends of Parklife, Force Majeure, have some new cards. This time we went thicker, bolder, and more tightly-registered (check out the precisely-placed scarlet ink inside the gray knockout). These are printed on our Ecru 600g Lettra paper.

business cardsTravis FriedrichAugust 16, 2016ecru, 600g, Lettra, logo, wine, gray, scarlet, redComment

Biz Cards by Floc5

Here we've got a couple of sweet business cards designed by Sarah at Kansas City's Floc5. Connect with them on twitter (@floc5) or at their website.

The first is for Floc5 Homes — printed in rich black ink on thick, bright 600g Fluorescent White cotton stock.

Next we've got skinny cards for Amy Slattery of the architecture firm Odimo. We printed these with custom gray and flame red inks on 500g cotton Savoy and finished them with edge paint to match the ink.

business cardsTravis FriedrichJuly 26, 2016fluorescent white, black, 600g, red, edge painting, architect, skinny, savoy, 500g, orange, gray, client designed, graphic designComment

Blind-Pressed Garden Invitations

We printed these oversized invites for the friendly folks at Frou Frou House with a very light cool gray ink and a deep blind impression. They're printed on our 600g Fluorescent White stock sized for large A9 envelopes.

wedding invitationsTravis FriedrichJuly 5, 2016blind deboss, gray, fluorescent white, 600g, A9, oversizedComment