This is one of our favorite client-designed wedding sets of the summer. Elaine and Joseph's invites mimic the lush forest that surrounded their venue in the Santa Cruz Mountains, complete with ferns, pinecones, and slugs.
We mixed a custom dilution of our Light Celadon ink to let the deep impression of the artwork really stand out.
Next we've got skinny cards for Amy Slattery of the architecture firm Odimo. We printed these with custom gray and flame red inks on 500g cotton Savoy and finished them with edge paint to match the ink.
We printed these oversized invites for the friendly folks at Frou Frou House with a very light cool gray ink and a deep blind impression. They're printed on our 600g Fluorescent White stock sized for large A9 envelopes.
Our Belvedere invitation is traditionally rather formal — printed with a graphite ink and a blind impression for a bold but stark feel. But Maura and Matthew wanted something a little more playful and a touch more Downton Abbey. So we swapped out the Mrs Eaves text and Burgues Script for the more lighthearted combo of Carlton and Parfumerie, punched up the color with two shades of lavender, and opted for a prim and proper flourish motif.
Another awesome duplexed card. This one's for interior design firm, MA Allen Interiors. We actually printed wedding invitations for the firm's founder back in 2010, and she came back to us for business cards after opening her Raleigh firm.
On the front we've got gold foil on 30pt black museum board — and on the back, the same gold foil on our pearl white 300g (21pt) house cotton paper.
These cards, printed for Los Angeles cycling studio BESPOKE, are printed on thick 600g Fluorescent White paper with tinted white on the front and two inks on the back. We finished them with a bright orange-red to match the ink.
A couple shots of BESPOKE's LA studio:
